Forget Method Acting. Victoria’s Secret and Chanel Perfumes Are What Get Them Into Character

If you watch previous episodes of Inside the Actors Studio, you may be taught concerning the technique and course of that actors use to grow to be different individuals. Leonardo DiCaprio slept inside an animal carcass to organize for his position in The Revenant and Tom Holland secretly shadowed a pupil at a Bronx highschool earlier than filming Spider-Man: Homecoming. One factor you will not hear about is perfume. But it has quietly grow to be a character-development instrument on units and sound phases. Susan Sarandon, who wears a distinct scent for every of her films, shared the technique with Kirsten Dunst, who has used it too. So have Gugu Mbatha-Raw, Emma Stone, and Penélope Cruz. “It’s a wonderful secret weapon,” says Laura Linney, who has additionally used perfume to get into a personality’s headspace. “It just hits you in such a primal, deep place.”

To say scent is “primal” is just not hyperbole. The elements of our brains liable for reminiscence and emotional processing developed from a primitive olfactory cortex, and the intense connection between emotion and our sense of odor stays at present. Unlike the visible or tactile cues of a dressing up, perfume delivers its message instantly, without having for contextualizing. “When I learned that fragrance could trigger receptors in our brain to change our mood, I thought it might be a tool to help me better transform,” says Eliza Taylor, who wears a distinct scent for every of her initiatives.

Jessica Chastain additionally depends on the method. “My friend Fabrice Penot, the cofounder of Le Labo, helps me decide on the right one,” she has mentioned. On the set of Terrence Malick’s The Tree of Life, Chastain wore an orange blossom scent to grow to be Mrs. O’Brien, the human embodiment of affection and grace. To play the CIA analyst Maya in Zero Dark Thirty, she went with a smoky, mysterious oud. “Celia Foote [in The Help] was Chanel No. 5. Marilyn Monroe solely wore Chanel No. 5 to mattress, so I believed, Oh, that is good,” Chastain has told Allure. (Foote bears a placing resemblance to Monroe.) “Perfume says a lot about you before you even say anything about yourself.” It’s why different actors make extra literal perfume selections: Ana de Armas additionally wore Monroe’s signature fragrance whereas filming Blonde, a fictional portrayal of the troubled actor. And when Michelle Pfeiffer performed the manipulative, murderous artist Ingrid Magnussen in White Oleander, she wore lilac, identical to the character within the e-book.

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